7/15/2023 0 Comments 2011 clockmaker movie![]() A few scenes later, Scorsese reinvents this silent film by having a train hurtle frighteningly toward the audience in 3−D. In a discussion regarding Georges’ films, the script references one of the first silent films ever made in one scene, a train pulls up to a platform, terrifying audiences who thought the train would crash through the screen and into the theater. In the movie’s second half, Hugo and Isabelle discover that Georges used to make famous silent films - in fact, Kingsley’s character is based on the real−life French filmmaker, Georges Méliès. Scorsese makes “Hugo’s” 3−D style an integral part of the narrative of the film. ![]() This opening leaves viewers awestruck they are bound not only to marvel at the sequence’s exhilarating beauty, but also to ask themselves, “How did the filmmakers just do that?” Therein lies the essential magic of movies - their ability to completely absorb spectators with cinematic illusions, and trick them into believing that what they’re watching is real. Audiences see Hugo’s face, though he’s somewhat obscured by the central clock embedded within the walls of the station. ![]() Moving toward the station, the camera glides right down the middle of a train platform - people pass by in periphery as they bustle to catch their trains - and the camera accelerates until it reaches the main plaza of the train station. The shot starts in the sky above a 1930s Paris, presenting a brightly illuminated Eiffel Tower in the distance and creating an excellent sense of depth, before it descends upon the train station where Hugo lives. The expert camerawork Cameron complimented emerges in the first scene of the film. This is absolutely the best 3−D cinematography I’ve ever seen.” Indeed, the creator of “Avatar,” James Cameron, told The Hollywood Reporter that “Hugo” “is magical to watch. However, in “Hugo,” Scorsese and cinematographer Robert Richardson overcome the format’s gimmickry, creating the most beautiful and engaging 3−D movie experience since “Avatar” (2009). Prior to seeing the movie, film fans are likely to scoff at Scorsese’s adaptation of the often−cheesy 3−D format for his latest film. From there, the two friends go on an adventure to unlock the secrets of their families’ pasts, and, for Hugo, to find a new family. Hugo goes to work for Georges (Ben Kingsley), who owns a toyshop in the train station, and quickly befriends Georges’ goddaughter Isabelle ( Chloë Grace Moretz). There, he follows in the footsteps of his dead father, a clockmaker, and works tirelessly to fix an automaton - essentially a complex wind−up toy - given to him by his father. The film revolves around young orphan Hugo Cabret ( Asa Butterfield), who lives between the walls of a Paris train station in the early 1930s. Though the magic of movies is a phenomenon seen and referred to less and less often, viewers of “Hugo” will rediscover cinematic magic in its full force in legendary director Martin Scorsese’s latest.
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